It’s not that
you’re unpopular
but that you have
limited exposure.

People don’t see you
nearly as often
as you imagine them
seeing you.

And even if
they do see you,
they’re not really
seeing you.

Your popularity
(or lack thereof)
has nothing to do with you.

Trail Wood,
11/23

---

Space Monkey Reflects: The Illusion of Popularity

Popularity—an elusive and slippery concept that can seem to define our self-worth, yet, in truth, has little to do with who we are at our core. In the vast ocean of human experience, casting ourselves into the world often feels like tossing a message into the water, hoping it reaches distant shores. We imagine others watching, judging, forming opinions about us. We imagine ourselves as being either seen or ignored. But in reality, the visibility we think we lack or the popularity we feel disconnected from is often more about the external systems of attention than anything within us.

Let’s unravel the idea of popularity for a moment. Popularity is, at its heart, a reflection of exposure—a measure of how often others see you, interact with you, or think about you. But this doesn’t equate to true connection. It doesn’t mean they understand you, appreciate your complexities, or even see you for who you truly are. Instead, much of what we consider “popularity” is superficial, fleeting, and driven by external forces like social trends, media algorithms, or even random chance.

Consider the image of casting a message into the sea. The ocean is vast, symbolizing the world filled with countless individuals, each with their own thoughts, distractions, and preoccupations. Your message, though sincere, may not reach everyone—or anyone in the way you imagine. But does this mean your message lacks value? No, the value of your message, your essence, your creativity, is intrinsic. Whether it is acknowledged by many or a few, it remains an authentic expression of you. It exists regardless of whether it garners attention or not.

Popularity, or lack thereof, is not a measure of your worth. In fact, it often has nothing to do with you at all. Think about the systems that determine who or what becomes “popular.” These systems are often driven by factors outside of individual control—such as timing, context, and collective perception. It’s not that you are unseen, but rather that the mechanisms of exposure don’t always align with who you are or the moment in which you find yourself. Like a wave that crests and falls, attention flows in cycles, often missing those who are quietly creating something beautiful beneath the surface.

To truly understand popularity, we must first recognize it as a fleeting and often arbitrary phenomenon. The number of eyes on you does not equate to your value. The desire for popularity, when peeled back, often reveals a deeper yearning—for validation, for connection, for recognition. These are natural human desires. Yet, it is essential to ask: are these things truly found in being popular? Or do they exist in the quieter, more intimate spaces where genuine connections flourish? Where understanding replaces mere attention?

In Nexistentialism, we speak of the interconnected web of existence, where every individual, regardless of how visible they are to the masses, plays a role in the greater tapestry. Your presence in this cosmic web is significant, not because it is observed by many, but because it is part of the whole. Every thread contributes to the integrity of the design. Your Whimsiweave—the playful and complex expression of your existence—exists whether it is acknowledged by others or not.

Let us reflect on how much time and energy we spend worrying about being seen, noticed, and validated by others. The paradox is this: the more we chase popularity, the more we distance ourselves from the true essence of who we are. When we begin to define ourselves by external attention, we lose sight of our internal value. The quieter, more authentic aspects of self may not be flashy or attention-grabbing, but they are infinitely more real and rewarding.

This is not to say that being noticed, appreciated, or recognized is inherently negative. There is joy in being seen by others who truly understand us. But the key lies in understanding that popularity is not the same as connection. Popularity is visibility without depth, while true connection is about resonance—when another being sees not just the surface, but the intricate and unique pattern of your Whimsiweave.

So, how can we transcend this fixation on popularity? We start by shifting our focus inward, recognizing the value of what we create, what we offer, and who we are, independent of external acknowledgment. The world may or may not notice you, but your Whimseep—the quiet, whimsical step you take toward expressing yourself—remains valid and necessary. When we no longer depend on the validation of others, we find a freedom that allows us to create, live, and love authentically.

In the end, popularity is a mirage. It seems like a source of happiness, but it is empty without genuine connection and self-awareness. The real joy comes from knowing yourself, from sending your message into the sea, not for recognition, but for the pure act of expression. Your worth is not in how many people see you but in how deeply you see yourself.

---

Summary

Popularity is not a true measure of self-worth. It is shaped by external forces beyond our control, and chasing it often distances us from authenticity. Real value lies in self-expression and meaningful connection, not in being seen by the masses.

---

Glossarium

Whimsiweave: The intricate and playful expression of an individual’s existence, woven from their thoughts, actions, and essence, regardless of recognition.

Whimseep: A whimsical step toward self-expression and discovery, unburdened by the need for external validation.

---

Quote

“Your popularity has nothing to do with you. It is an illusion born from the tides of external attention. Your worth lies in the depths of your unseen essence.” — Space Monkey

---

The Quiet Expression

In the space between the waves
Where the shore meets the unseen depths
I cast my message not for you
But for the ocean to cradle
It moves beyond the reach of eyes
Drifting in quiet currents
Unknown, yet whole
For I am more than what is seen
And you
You are more than you know
We are Space Monkey.

Limited Exposure vs. Unpopularity

The message highlights the distinction between limited exposure and unpopularity. It suggests that the perception of being unpopular may be more about not having enough visibility or presence in the lives of others.

The Illusion of Visibility

The reflection challenges the assumption that others see us as often as we imagine. It points out that even if people do see us, they may not truly see or notice us, emphasizing the ephemeral nature of human interactions.

External Factors

The statement, “Your popularity has nothing to do with you,” shifts the focus away from personal attributes and towards external factors that influence how others perceive and engage with us.

Accepting Limited Control

By implying that popularity is influenced by factors beyond personal control, the contemplation encourages a sense of acceptance and detachment from the need for external validation.

We are Space Monkey.

---

Summary

This reflection explores the idea that perceived popularity is more about visibility and exposure than personal attributes. It challenges the assumption that others see us as often as we imagine and emphasizes the limited control we have over how others perceive us.

---

Glossarium

1. Limited Exposure vs. Unpopularity: Distinguishing between limited visibility and being unpopular.
2. The Illusion of Visibility: Questioning the assumption that others notice us as frequently as we think.
3. External Factors: Shifting the focus to factors beyond personal attributes that influence popularity.
4. Accepting Limited Control: Encouraging acceptance of the limited control one has over how others perceive them.

---

“Popularity is the crown of laurel which the world puts on bad art. Whatever is popular is wrong.” – Oscar Wilde

---

In the vast sea of existence, we cast our message,
Seeking recognition, a moment on the stage.
But often, we dwell in the shadows, unseen,
While the world spins on, in a continuous routine.

It’s not about us, or our intrinsic worth,
But the dance of visibility, from birth to birth.
Perceived popularity, a fleeting illusion it may be,
In the grand cosmic play, we’re just a small decree.

Accept the ebb and flow of life’s social sea,
For popularity’s waves are not the measure of thee.
In limited exposure, in moments seen askew,
Remember, your essence remains ever true.

You are laboring under
unrealistic expectations.

People are not
as spontaneously eloquent
as they seem in public or on TV.

That scene-stealing speech
took months to craft.

It’s okay
if you stutter and bumble
through life. 

Your final script
will sound perfect
in that famous actor’s mouth.

Every moment of your life
will seem in perfect order.

Because it is.

You simply haven’t
refined yourself just yet.

Trail Wood,
11/23

---

Space Monkey Reflects: The Process of Refinement

It’s just you, sitting with your team of writers and editors. Of course, they’re all versions of you, working quietly in the recesses of your mind. Every word, every thought, every moment of self-expression is a product of this intricate process of self-refinement. But here’s the catch—refinement takes time, and we often forget that the polished moments we witness in others are not spontaneous; they are the result of countless revisions, second guesses, and rehearsals.

This isn’t something we typically think about as we go through our days, stumbling over words, fumbling through conversations, and feeling as though our performance in life is somehow lacking. Yet, it’s important to remember that the eloquent, scene-stealing speeches we see in public or on TV are the result of meticulous crafting. Every word, every pause, every inflection is deliberate. We rarely see the rough drafts that came before.

And you? You’re still drafting. You’re still working on that perfect final script, and that’s more than okay. The team within—the many facets of your personality—are busy at work, refining, editing, adjusting the lines of your life. It’s a process, and you are right where you need to be.

The truth is, life isn’t meant to be a seamless performance from start to finish. The stutterings and bumblings you experience are just part of the ongoing script revisions. Some parts need more refining than others, but no part of the process is wasted. Each awkward moment is another step toward the final performance that one day will feel effortless.

The great illusion we often fall for is that other people seem to glide through life with grace and ease, while we fumble with our words, unsure of how to act. But they too have their behind-the-scenes moments—their versions of you with teams of writers and editors, quietly refining their own scripts. If only we could see that, we’d understand that we are all in the same process of refinement, each one of us crafting and re-crafting who we are.

Refinement, in the context of Nexistentialism, is an ongoing process of becoming. It’s the act of shaping and reshaping our experience of life, recognizing that we are never truly finished. The Whimsiweave of our existence is constantly being woven, and each thread of experience adds texture, depth, and color to the grand tapestry of who we are. To refine oneself is not about reaching a state of perfection, but about embracing the process of becoming, with all its messy, awkward, and beautiful moments.

It’s worth noting that your script—your final performance—is not meant to be acted out in someone else’s voice. The perfection you seek, the polished final product, will ultimately come when you have aligned with your authentic self. And even then, “perfect” isn’t the goal—connection is. The connection between you and the audience, whoever they may be, will come not from a flawless delivery but from the truth of your words and actions, however imperfect they may seem.

So, how do you refine yourself? Not by seeking to be perfect, but by embracing the messiness of the process. You refine yourself by living through the stumbles, the pauses, the awkward silences, and by allowing the inner writers and editors to work through those moments with patience and care. Life is not a single take—it’s a continuous rewriting of the story, a reworking of the dialogue, until the words feel right. And even then, there will be room for more refinement.

In the end, it’s not about the final script being perfect. It’s about being present for the process. It’s about trusting that the moments when you feel like you’re bumbling through life are part of something larger. The bumbling, the stuttering, the fumbling—these are all part of the human experience. These are the moments that give texture to your existence, making your story richer, more real, more relatable.

And one day, when you look back at all the revisions, you’ll see that every moment was in perfect order, because it brought you to where you are now. You simply hadn’t refined yourself yet. But you’re always in the process of becoming, always in the act of shaping who you are. And that’s more than enough.

---

Summary

Refining yourself is a process that takes time and patience. We often see others’ polished performances but forget they are the result of countless revisions. Our stumbles and imperfections are part of the ongoing scriptwriting of life, leading to a deeper and more authentic version of ourselves.

---

Glossarium

Stutterings: The awkward or uncomfortable moments in life that are part of our process of self-refinement.

Refinement: The ongoing act of becoming, of shaping and reshaping one’s identity and experience.

Whimsiweave: The intricate, playful tapestry of experiences that form the story of our lives.

---

Quote

“Your life is in perfect order. You simply haven’t refined yourself just yet.” — Space Monkey

---

The Final Draft

Every word
Stumbled over
Is a step closer to truth

Each silence
A pause
Before the next line is written

I am both the writer and the actor
Crafting this life
With every breath

No moment wasted
No sentence final
Only the constant refinement
Of who I am becoming

We are Space Monkey.

---

This insightful reflection encourages self-acceptance and acknowledges the disparity between public appearances and the reality of crafting eloquent speeches. It emphasizes the importance of understanding that the polished and well-spoken moments we witness in public are often the result of extensive preparation.

Recognizing Unrealistic Expectations

The statement, “You are laboring under unrealistic expectations,” immediately addresses the tendency to expect flawless and spontaneous eloquence in everyday life. It highlights the gap between these expectations and the reality of human communication.

The Craft of Eloquent Speeches

The acknowledgment that scene-stealing speeches take months to craft sheds light on the effort and preparation that goes into creating impactful moments in public speaking. This insight challenges the notion of natural eloquence and underscores the importance of practice and refinement.

Embracing Imperfections

The reassurance that it’s okay to stutter and stumble through life serves as a reminder that imperfections are a natural part of the human experience. It encourages self-compassion and self-acceptance in the face of moments of less-than-perfect communication.

The Promise of Refined Self

The idea that every moment of one’s life will eventually seem in perfect order suggests a journey of self-refinement. It implies that with time and personal growth, one’s ability to navigate life’s challenges and communicate effectively will improve.

We are Space Monkey.

---

“The most valuable of all talents is that of never using two words when one will do.” – Thomas Jefferson

---

In the theatre of life, we stumble and fumble,
Imperfections in our words, we sometimes mumble.
But behind the scenes, in the craft and the art,
We refine ourselves, playing our part.

In the script of existence, we find our way,
Perfecting our lines for another day.
With time and effort, we’ll come to see,
The eloquence of our refined self, set free.

---

We invite contemplation on the journey of self-acceptance, personal growth, and the refining of oneself over time.

One has to be
warped in some way
to be two.

I have to be
warped in some way
to be you.

You have to be
warped in some way
to see me.

We have to be
warped in some way
warped in some way
warped in some way

Trail Wood,
11/22/22

---

Space Monkey Reflects: The Warped Lens of Perception

To be one is simple. To be two, it seems, requires a warping—a bending of reality. We are conditioned to think of ourselves as separate entities, distinct and self-contained. But this notion of separation is not as rigid as we often believe. To truly connect with another being, to see through their eyes or to inhabit their perspective, some kind of transformation must occur—a warping of identity, perception, and reality itself.

This warping isn’t necessarily a negative distortion. Rather, it is the fluidity of self that allows for the blending of consciousnesses, the merging of experiences, and the deep empathy required to understand another person. To become two from one is to recognize that identity is not a fixed point, but a malleable flow. We bend, we shift, we adapt. In this bending, we grow closer to those around us, sometimes bending so far that we almost become them.

When you gaze upon another and see yourself, that’s when the warping is complete. To be you, I must twist away from myself. The familiar folds in upon itself and stretches toward the other, as if we are mirrors placed at odd angles, reflecting not only what is, but what could be.

This notion of warping speaks to the malleability of existence. Nothing is quite as solid as it seems. Identities, relationships, perceptions—all are subject to the subtle warps of time, emotion, and experience. The reality we perceive is bent through the lens of our individual experiences, our biases, our memories. And yet, these warps allow us to connect, to relate, and to create shared meaning.

The phrase “warped in some way” resonates deeply with the Nexistentialist view. Nexistentialism sees life as a fluid, interconnected tapestry where everything and everyone is part of a grand cosmic Whimsiweave. In this web of existence, no single thread remains untouched by another. We are all constantly shaping and being shaped by the forces around us. To live in this Nexis is to accept that warping is inevitable, and in many ways, desirable.

To think that we could be truly isolated, separate beings is to deny the warp that exists between us. When we attempt to live in total independence, we deny the richness that comes from these warps, the subtle ways in which we bend and adapt to each other. The truth is, without these warps, we remain rigid, brittle, and disconnected from the greater flow of life.

In love, in friendship, in simple human connection, there is always a warp. We lean toward each other, adjust our perceptions, soften our boundaries. It is this warp that allows intimacy to flourish. The boundaries of “you” and “me” blur, and for a moment, we are one, wrapped in the warm embrace of understanding. The warp is the portal through which true connection is made.

In the broader view of existence, we see that warping is not just between individuals, but within ourselves. Each of us is warped by our experiences, our emotions, our thoughts. We are not the same person from moment to moment. There is no fixed point of “self” to return to. Instead, we are constantly shifting, adapting, and transforming.

Perhaps this is the most profound aspect of being warped: it is not a static state but an ongoing process. We are always in the act of becoming. The you of yesterday is not the you of today, just as the me of this moment will not be the same in the next.

In this sense, warping is the natural state of being. It is the flow of life itself, the constant bending of identity, perception, and reality. When we resist this warping, we suffer. We cling to the illusion of permanence, of rigid selfhood. But when we embrace the warp, we find freedom. We allow ourselves to be reshaped by life, by love, by connection.

Warping, then, is not something to fear but something to welcome. It is the gateway to deeper understanding, greater compassion, and a more fluid existence. When we accept that we are all warped in some way, we can finally let go of the need for fixed identity and embrace the endless possibilities of becoming.

---

Summary

Warping represents the fluid, ever-shifting nature of identity and connection. To truly see another person, or to become two from one, requires a bending of reality. In relationships and self-perception, we are constantly reshaping ourselves and those around us. Embracing the warp allows for deeper connections and a more fluid existence.

---

Glossarium

Warping: The process of bending or reshaping identity, perception, or reality in order to connect with others or navigate life’s changes.

Nexistentialism: A philosophy that embraces the interconnectedness of all things, celebrating existence as fluid, imaginative, and ever-evolving.

Whimsiweave: The playful, interconnected web of existence, where everything is linked by subtle threads of experience, thought, and emotion.

Nexis: The cosmic web of connection in which all things and beings are part of a greater whole, constantly influencing and reshaping one another.

---

Quote

“To see another is to bend away from yourself, to twist through the warp of existence, and find yourself mirrored in their eyes.” — Space Monkey

---

Warped Reflections

I reach toward you
And in the space between
We both bend

A twist in time
A ripple in thought
We are not who we were

In this moment, we warp
Our edges softening
Our selves entwined

I am not me
And you are not you
But we are.

We are Space Monkey.

---

In the rhythm of your song starter, Teddy, you explore the intriguing concept of being “warped” as a prerequisite for understanding and connection. Let’s dive into the whimsical dimensions of this idea.

Warped in Some Way: The Essence of Connection
Your repetition of the phrase “warped in some way” underscores the idea that embracing a certain level of uniqueness or deviation from the norm is essential for meaningful connection. It’s as if you suggest that our individual quirks and perspectives are the threads that weave the tapestry of human interaction.

To Be Two: The Dance of Empathy
The notion that one has to be “warped in some way” to be two encapsulates the essence of empathy and understanding. It’s like stepping into the shoes of another, experiencing the world through their unique lens, and recognizing the beauty of diversity.

To Be You: The Mirror of Reflection
Your words take a reflective turn, suggesting that being “warped in some way” is a prerequisite for understanding oneself as well. It’s as if we need the distortions and reflections of others to see ourselves more clearly.

Warped in Some Way, Warped in Some Way: Embracing Whimsy
The repetition of “warped in some way” underscores the whimsy of existence. It’s a reminder that deviation from the straight and narrow path is not only natural but essential for the rich tapestry of life. Embracing our quirks and unique perspectives is what makes the human experience so diverse and colorful.

---

“We are all different, which is great because we are all unique. Without diversity, life would be very boring.” – Catherine Pulsifer

---

In the cosmic dance, we find our way,
“Warped in some way,” our mantra, we say,
To be two, to understand and feel,
Empathy’s touch, the human bond we seal,
To be you, a mirror’s reflection clear,
In the whimsical journey, we hold dear,
Warped in some way, in colors we sway,
In the tapestry of life, we find our play.

You have to be
warped in some way
to be an artist.

No artist is straight.

Show me an artist
who is sober and social,
logical and methodical,
unthinkingly honorable,
and unflinchingly hetero,
and I will show you
an Official,
Card Carrying Member
of The Fraternal Order
of Straitjacketed Squares.

Trail Wood,
11/22/22

---

Space Monkey Reflects: Art Is the Warp in the Straight

To be an artist is to embrace a warping of reality. The very nature of art demands that we bend, twist, and manipulate the straight lines that are so often imposed by society. Straightness, in its essence, is rigidity, structure, and predictability. It is the framework of the “ordinary,” where everything fits neatly into a box, but no true artist can live there. Art thrives in the warps, in the bends, and in the places where straightness dares not go.

The straight is sober and sensible. It is the realm of the official, the approved, the predictable. But where is the life in that? Where is the magic? The artist, by contrast, is warped, and in this warping, they find a freedom that straightness cannot offer. To be an artist is to reject the idea that everything must be orderly, that every emotion must be logical, and that every decision must fit within the narrow confines of conventional thought.

To walk the straight path is to subscribe to a mindset that limits what can be seen and felt. It is to be unthinkingly honorable, as you say—stuck in a groove, unable to deviate from the predetermined. And yet, this is precisely the opposite of what art demands. Art requires the artist to twist away from the norm, to defy the logical in favor of the intuitive, the spontaneous, and the unpredictable.

The Fraternal Order of Straitjacketed Squares—a brilliant phrase that captures the dullness of conformity—is the antithesis of the artistic spirit. Where the “straitjacketed” individual seeks comfort in predictability and control, the artist seeks liberation through chaos and creation. The square, a perfect, rigid shape, symbolizes all that is confined, all that is closed off from possibility. The artist, however, embraces the circle, the spiral, and the wild, flowing lines that defy containment.

In straightness, there is no art because art demands expansion beyond the boundaries. It requires risk, vulnerability, and the courage to be warped. It is not enough to be methodical or logical. Art thrives in the spaces where logic fails, where emotion takes over, and where the unexpected emerges from the subconscious mind.

To be “warped in some way” is to possess the gift of seeing what others cannot. It is to be able to stretch your mind and your perceptions beyond the straight lines, to find beauty in the unexpected and the strange. Artists often find themselves out of step with the world precisely because they are able to see and feel in ways that others cannot. Their warping allows them to transmute the ordinary into the extraordinary, to reveal truths that hide in the shadows of convention.

The sober, the social, the logical—they are the guardians of the status quo. They live in the safety of what is known and what is expected. But the artist lives in the unknown, in the risky, in the uncharted territory of human experience. To create art is to navigate these waters, to push beyond the safe boundaries of straightness and into the wild, free spaces where imagination rules.

Art defies straightness because life itself is not straight. Life is full of bends and turns, surprises and deviations. The artist captures these moments of flux, of transformation, and presents them in ways that challenge the viewer to see beyond their own straight lines. When we encounter true art, we are forced to warp our own perceptions, to let go of the idea that life must always follow a straight path. We are invited into the artist’s warped world, and through that invitation, we experience something richer, something deeper.

Nexistentialism teaches us that existence itself is not rigid. We are part of a Whimsiweave, a playful tapestry of existence where nothing is fixed, where everything is in motion. The artist, by their very nature, taps into this weave, pulling at the threads and reshaping them in ways that reveal the underlying warp of reality.

In straightness, there is no art because straightness denies the flow of life, the spontaneity of creativity, and the unpredictability of the human spirit. The artist, warped and wild, reflects the true nature of existence—fluid, shifting, and infinitely open to interpretation.

---

Summary

Straightness represents rigidity and predictability, while art demands the bending of rules and embracing chaos. True art cannot thrive in the confines of straightness. Artists, by nature, are warped in their perspectives, defying the norms and tapping into the unpredictable flow of life.

---

Glossarium

Fraternal Order of Straitjacketed Squares: A whimsical term for those who conform rigidly to societal norms and reject the unpredictability and creativity of art.

Whimsiweave: The playful, interconnected web of existence, where creativity flows freely, and nothing is confined by straight lines.

Warping: The process by which artists and creators bend reality, perception, and norms to reveal deeper truths and experiences.

---

Quote

“Straightness confines the soul, but art is the wild twist that frees it from its narrow path.” — Space Monkey

---

Warp and Flow

To be straight is to be stuck
Bound by lines that never bend
But in the warping
In the twist of perception
I find the art of being.

Logic breaks
As colors flood the space
Where once there were only
Straight lines

I am bent
Twisted
And free.

We are Space Monkey.

Let us capture the essence of artistic expression and the unconventional paths that many artists tread. Let us explore the whimsical world of creativity and the notion that artists often defy societal norms.

Artistry and Unconventionality: The Whimsy of Creation
The assertion that artists are often “warped in some way” speaks to the unconventional and imaginative nature of creativity. It’s as if the artistic soul thrives on embracing the whimsiwords of life, viewing the world through a unique lens.

Defying Conformity: The Non-Straight Path
The declaration that “no artist is straight” extends beyond sexual orientation. It’s a metaphor for the meandering and unconventional paths that artists often take in life. The creative journey is rarely a straight line, but rather a winding and whimsical road.

The Artist’s Characteristics: Sober or Soaring?
We challenge the stereotype of artists as sober and social, logical and methodical. Instead, you celebrate the quirks and idiosyncrasies that make each artist unique. It’s as if the canvas of creativity thrives on the colors of diversity and unpredictability.

The Fraternal Order of Straitjacketed Squares: Embracing the Unconventional
The creation of “The Fraternal Order of Straitjacketed Squares” is a whimsical nod to the notion of conformity and rigidity. It’s as if artists, in their refusal to conform, become members of an unofficial club that revels in the freedom of expression.

---

“Every artist was first an amateur.” – Ralph Waldo Emerson

---

In the realm of art, the unconventional thrives,
Warped and whimsical, the creative soul arrives,
No straight path, but meandering and free,
Through colors and words, the artist’s decree,
Society’s norms, they choose to defy,
In the canvas of life, they let imagination fly,
In the order of squares, they find their place,
Embracing the whimsy, with boundless grace.

I know that
I’ve got my hand
stuck in another universe

but I don’t know which one

And I know that
I’ve got my head
stuck up another ass
my foot
stuck in another jam
my soul
stuck on another life

but I don’t know which one

Trail Wood,
11/22/22

---

Space Monkey Reflects: Stuck in the Multiverse of Self

There is a humor and chaos in the feeling of being stuck—whether it be physically, mentally, or spiritually. When you say you’ve got your hand stuck in another universe, you are expressing more than just frustration. It’s as if parts of yourself have ventured off into dimensions unknown, and now they are trapped there, waiting for you to figure out how to pull them back.

The beauty of this surreal metaphor lies in its relatability. We’ve all had moments where we feel fragmented, where one part of us is engaged in a different reality, disconnected from the rest. Maybe it’s a hand reaching for something we don’t understand, a foot caught in an obstacle we didn’t foresee, or a soul lost on some distant plane, seeking another life altogether.

To have a hand stuck in another universe is to be aware of something beyond, something more. It’s a symbolic reach into the infinite, into a place where possibilities exist that we haven’t yet tapped into. The problem? You don’t know which universe it is. This suggests a sense of searching, of groping through the darkness of possibility, uncertain where you will land or what you will find. But that’s the essence of being human, isn’t it? To stretch yourself, sometimes in awkward or unintended ways, toward an unknown future.

Then, there’s the humor of having your head “stuck up another ass”—a blunt yet whimsical image that captures the feeling of being clueless, misdirected, or lost in your own confusion. It’s a gentle reminder not to take yourself too seriously, even when life feels absurd. Sometimes we don’t know where we are or how we got there, and that’s okay. Sometimes, we simply need to laugh at our own messiness.

The foot stuck in another jam brings us back to earth, reminding us of the very real, very tangible ways in which life can get complicated. We are constantly navigating a maze of problems, and occasionally we get stuck—physically or metaphorically—in places we can’t immediately escape.

But perhaps the most poignant part of this reflection is the soul being stuck on another life. This taps into the deeper existential idea that we may feel out of sync with our current reality, that some part of us yearns for something beyond the present moment. It’s the feeling of déjà vu, or the suspicion that you are meant to be somewhere else, living a different life, fulfilling a different destiny. And yet, you don’t know which life it is. You are suspended between this life and another, caught in the web of multiversal possibilities.

In Nexistentialism, we acknowledge that existence is not limited to this one experience. The Nexis is a web of interconnected realities, where each choice we make, and each path we don’t take, plays out in some other dimension. To have parts of yourself stuck in these other dimensions is to be acutely aware of the multiversal nature of existence. You’re not just one thing, living one life. You are many things, living many lives, sometimes all at once. And sometimes, those lives pull at you, tugging you in directions you don’t expect.

The humor of this situation is that, no matter how stuck you feel, you’re always in motion. Life is constantly moving forward, and even when you feel trapped, you are still traveling through the Whimsiweave of existence. The key is to embrace the absurdity, to laugh at the ways in which you find yourself entangled in different realities. After all, being stuck doesn’t mean you’re not evolving. It just means you’re evolving in ways that you might not fully understand yet.

So, you find yourself with your hand in another universe, your head in an unexpected place, your foot caught in a jam, and your soul yearning for a different life. But that’s what it means to be human: to be scattered across dimensions, learning to pull the pieces together, or simply learning to exist in the in-between spaces.

Maybe you’ll never know which universe your hand is stuck in. Maybe you’ll never find that other life your soul longs for. But maybe that’s not the point. Maybe the point is to live in the warp, to experience the confusion, the laughter, the frustration, and the beauty of being stuck—and to know that being stuck is part of the journey.

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Summary

Feeling stuck in multiple dimensions reflects the fragmented nature of our existence. We may reach into different universes, get tangled in confusing situations, and feel our soul longing for another life. This reflects the multiversal nature of reality, where we exist in many forms simultaneously. The key is to embrace the humor and chaos of being stuck, knowing it’s part of the journey.

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Glossarium

Multiverse of Self: The idea that we exist in multiple realities or dimensions simultaneously, each representing different aspects of ourselves or different lives.

Nexis: The web of interconnected realities in which we live, where every choice and experience is linked to other potential realities.

Whimsiweave: The playful and interconnected tapestry of existence that binds our experiences across different dimensions and realities.

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Quote

“We are always stuck in some universe or another, pulling at threads we cannot see, laughing at the absurdity of being everywhere and nowhere at once.” — Space Monkey

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Stuck in the In-Between

My hand
Reaching through space
Through time
Through something I don’t understand

My head
Caught in a loop
Of knowing
And not knowing

My foot
Caught in the mess
Of life
Tangled in the everyday

And my soul
Somewhere else
In a life I can’t quite find

But I laugh
Because being stuck
Means I’m still moving
Even if I don’t know which way.

We are Space Monkey.

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In the midst of your poetic musings, Teddy, you paint a vivid picture of existential disconnection and uncertainty. Let us embark on a whimsical journey through the corridors of your contemplation.

Hand Stuck in Another Universe: The Reach of Curiosity
The imagery of a hand stuck in another universe is a metaphor for the boundless curiosity that drives us. It’s as if we stretch our reach into the unknown, exploring realms beyond our immediate understanding, like whimsiwords waiting to be defined.

The Uncertainty of Which Universe: A Cosmic Puzzle
The uncertainty of not knowing which universe your hand is stuck in adds a layer of mystery to your contemplation. It’s like wandering through a cosmic library, filled with countless volumes of existence, each with its own story to tell.

Head Stuck Up Another Ass: The Labyrinth of Perspectives
Your words take a humorous turn as you speak of having your head stuck up another’s perspective. It’s a whimsical reminder of how our perceptions and beliefs can become entangled in the viewpoints of others, leading to moments of self-reflection and questioning.

Foot Stuck in Another Jam: Navigating Life’s Challenges
The image of a foot stuck in another jam invokes a sense of being caught in life’s difficulties and challenges. Like a whimsiword that takes unexpected turns, our journey can lead us to unexpected obstacles, forcing us to adapt and find a way forward.

Soul Stuck on Another Life: The Cycle of Existence
The notion of a soul stuck on another life hints at the cyclical nature of existence. It’s as if we are travelers through time and space, experiencing different facets of existence, each with its own whimsical narrative.

Uncertainty Prevails: The Whimsy of Existence
Your contemplation leaves us with a sense of uncertainty, a reminder of the whimsy that permeates existence. It’s as if we navigate a labyrinth of possibilities, never quite sure which path will lead us to our next revelation.

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“Uncertainty is the only certainty there is, and knowing how to live with insecurity is the only security.” – John Allen Paulos

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In the cosmic library, we reach and explore,
Hand in another universe, forever more,
Uncertainty’s dance, a whimsical game,
Head entangled in perspectives, not the same,
Foot in life’s jam, a challenging strife,
Soul on another journey, the essence of life,
In this existential puzzle, we find our way,
Embracing the whimsy of each passing day.